Lot 3223
Rare1969 Art In America 82pc Double Puzzle by Gene Davis. Designed by Gene Davis and produced by Georg Jensen in 1969, for the "Art in America: Art for Everyday Living" series of artist's games. In an effort to engage wider audiences with contemporary art, in the 1960s and ’70s Art In America magazine produced a series called “Art for Everyday Living, "where they commissioned artists to design coins, ceramics, lithographs, children’s toys, needlepoint projects and games. Some of the most prominent contemporary artists at that time applied their talent to the creation of new designs of well known games for an Art In America "Art for Everyday Living" project. These games were manufactured by Georg Jensen complete with all playing pieces. Each game involves the player in a unique way both as the creator and as the participant in an exceptionally amusing game. This Double Puzzle includes all 82 pieces in a plexiglass frame. Comes in original plexiglass. Also includes the original Art in American Vol. 57, No. 6, November / December 1969. This Double Puzzle was featured on the cover and pages 72-73. This auction features all 4 games in the series, including Checkers Game by Richard Anuszkiewicz (Lot 3220); Chess/Checkers game by Les Levine (Lot 3221); Backgammon game by George Ortman (Lot (Lot 3224); Double Puzzle by Gene Davis (Lot 3223). Keywords: Mid Century Modern Other Notes: Davis was born in Washington D.C. in 1920 and spent nearly all his life there. Before he began to paint in 1949, he worked as a sportswriter, covering the Washington Football Team and other local teams. Working as a journalist in the late 1940s, he covered the Roosevelt and Truman presidential administrations, and was often President Truman's partner for poker games. His first art studio was in his apartment on Scott Circle; later he worked out of a studio on Pennsylvania Avenue. Davis's first solo exhibition of drawings was at the Dupont Theater Gallery in 1952, and his first exhibition of paintings was at Catholic University in 1953. A decade later he participated in the "Washington Color Painters" exhibit at the Washington Gallery of Modern Art in Washington, DC, which traveled to other venues around the US, and launched the recognition of the Washington Color School as a regional movement in which Davis was a central figure. The Washington painters were among the most prominent of the mid-century color field painters. Though, he worked in a variety of media and styles, including ink, oil, acrylic, video, and collage, Davis is best known by far for his acrylic paintings (mostly on canvas) of colorful vertical stripes, which he began to paint in 1958. The paintings typically repeat particular colors to create a sense of rhythm and repetition with variations. One of the best-known of his paintings, "Black Grey Beat" (1964), owned by the Smithsonian American Art Museum reinforces these musical comparisons in its title. The pairs of alternating black and grey stripes are repeated across the canvas, and recognizable even as other colors are substituted for black and grey, and returned to even as the repetition of dark and light pairs is here and there broken by sharply contrasting colors. In 1972 Davis created Franklin's Footpath, which was at the time the world's largest artwork, by painting colorful stripes on the street in front of the Philadelphia Museum of Art, and the world's largest painting, Niagara (43,680 square feet), in a parking lot in Lewiston, NY. His "micro-paintings", at the other extreme, were as small as 3/8 of an inch square. For a public work in a different medium altogether, he designed the color patterns of the "Solar Wall," a set of tubes filled with dyed water and backlit by fluorescent lights, at the Muscarelle Museum of Art at the College of William and Mary in Williamsburg, Virginia. Davis began teaching in 1966 at the Corcoran School of Art, where he became a permanent member of the faculty. His works are in the collections of, among others, the Corcoran Gallery of Art, the Solomon R. Guggenheim Museum, The Phillips Collection in Washington, DC, the Walker Art Center in Minneapolis, MN, The Governor Nelson A. Rockefeller Empire State Plaza Art Collection in Albany, NY, and the; Keywords: Mid-Century, Mid Century, Modern, Art, Ref: BD1179
- Dimensions: 18in x 12in
- Medium: Cardboard, Plexiglass
- Circa: 1969
- Notes: Davis was born in Washington D.C. in 1920 and spent nearly all his life there. Before he began to paint in 1949, he worked as a sportswriter, covering the Washington Football Team and other local teams. Working as a journalist in the late 1940s, he covered the Roosevelt and Truman presidential administrations, and was often President Truman's partner for poker games. His first art studio was in his apartment on Scott Circle; later he worked out of a studio on Pennsylvania Avenue. Davis's first solo exhibition of drawings was at the Dupont Theater Gallery in 1952, and his first exhibition of paintings was at Catholic University in 1953. A decade later he participated in the "Washington Color Painters" exhibit at the Washington Gallery of Modern Art in Washington, DC, which traveled to other venues around the US, and launched the recognition of the Washington Color School as a regional movement in which Davis was a central figure. The Washington painters were among the most prominent of the mid-century color field painters. Though, he worked in a variety of media and styles, including ink, oil, acrylic, video, and collage, Davis is best known by far for his acrylic paintings (mostly on canvas) of colorful vertical stripes, which he began to paint in 1958. The paintings typically repeat particular colors to create a sense of rhythm and repetition with variations. One of the best-known of his paintings, "Black Grey Beat" (1964), owned by the Smithsonian American Art Museum reinforces these musical comparisons in its title. The pairs of alternating black and grey stripes are repeated across the canvas, and recognizable even as other colors are substituted for black and grey, and returned to even as the repetition of dark and light pairs is here and there broken by sharply contrasting colors. In 1972 Davis created Franklin's Footpath, which was at the time the world's largest artwork, by painting colorful stripes on the street in front of the Philadelphia Museum of Art, and the world's largest painting, Niagara (43,680 square feet), in a parking lot in Lewiston, NY. His "micro-paintings", at the other extreme, were as small as 3/8 of an inch square. For a public work in a different medium altogether, he designed the color patterns of the "Solar Wall," a set of tubes filled with dyed water and backlit by fluorescent lights, at the Muscarelle Museum of Art at the College of William and Mary in Williamsburg, Virginia. Davis began teaching in 1966 at the Corcoran School of Art, where he became a permanent member of the faculty. His works are in the collections of, among others, the Corcoran Gallery of Art, the Solomon R. Guggenheim Museum, The Phillips Collection in Washington, DC, the Walker Art Center in Minneapolis, MN, The Governor Nelson A. Rockefeller Empire State Plaza Art Collection in Albany, NY, and the
- Condition: Puzzle and magazine are in great condition. Plexiglass shows normal signs of shelf wear commensurate with age. Please review photos for details.
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